22 May 2014

Aotearoa Diaries: Cultural Identity

We've officially hit a lull with the ministry of The Bridge.

It is almost the end of May, and we're not quite where I thought we would be by now. Instead of already moving and settling into the ministry house and getting things up and running, I am currently house-sitting for one of the couples who attend one of the Wesleyan Methodist churches. They return at the end of June, and have family coming in July. Which means I have approximately five weeks to figure out where I'm moving to next, since we still don't have a master-plan for the finances for the ministry house. I've been in New Zealand for less than three years and have already lived in eight different homes. What's another one gonna hurt, right?

During one of our brainstorming conversations, Kara suggested I got in touch with the folks at TSCF (Tertiary Students Christian Fellowship). And so this afternoon, I met with Andy, the Auckland Regional Team Leader.

Our conversation went something like that:

Andy: Thanks for making the time and getting in touch. So, tell me about The Bridge.
Me: Well, we're still in the very beginning stages, but we're hoping to establish sort of a hub and resource center type of a community house for students. We're not particular about what church they eventually connect with, but we simply hope they will eventually become connected with a church community.
Andy: Now, where are you from?

Me: [awkward pause]

Andy: I guess I mean, where all do you claim to be from?
Me: Well, that's kind of a loaded question...

After I explained my all-over-the-place-ness, he didn't even flinch and just went on with the conversation. It hit me all over again that my "all-over-the-place-ness" isn't unique in Auckland. To quote Andy, "Almost every person in Auckland can trace back to having chosen to move here from some place else; it's just a matter of how many generations have been here before them."

Perhaps that's why I've been struggling with trying to find a way to frame the ministry of The Bridge. Yes, our focus is on international students in Auckland, but what does the term "international student" even mean? Andy shared an example of one of the student councils he worked with that had student representatives from the "Kiwi" and the "International" community. The "Kiwi" representative was born in Nepal, but is of European descent, whose parents were missionaries. The "International" representative was a fourth generation Kiwi-Chinese who was born in New Zealand. What do we make of that?

Back when I was an international student in the States, being "international" was much easier to define. I simply wasn't born and raised in the US, and I was treated differently. Don't get me wrong, I wasn't treated inferiorly, I was just treated *differently* with the understanding my worldview is most likely different from the majority. Here in Auckland, everyone's worldview differs on varying degrees, and one can never make assumptions of what cultural roots another may identify with.

At the university age, these dynamics come out to play a lot more. Standing on the fringe of adulthood, one makes decisions, whether consciously or not, about the cultural roots they may claim. For some cultural groups, not attending Sunday worship with others from their "motherland" meant that one was disowning their cultural heritage--even if they had simply gone to a different congregation with their Kiwi mates from uni. What happens when one of the young adults from one of these cultural groups are sensing that God was calling them to minister to others who were as culturally mixed-up as they were and didn't have the same sense of obligation to the culture of the motherland? Will the church be there to rally around these young adults who often come from a highly community-oriented home-culture to a more individualistic society?

Just some very beginning thoughts on some of the dynamics at play as we continue ministering in this multi-cultural community that is Auckland...

09 May 2014

Dear Keren: "Displace Me" Revisited

Series history:  This series unofficially began in 2007 in honour of Keren Berrios. We had started at Anderson University together as international students in 2004. Unbeknownst to me at the time, I had come to rely on her as my sense of "home" while we lived in between cultures. In my hurry to get through life, I graduated a year earlier than most in our class. The summer between my graduation and hers, Keren's life ended unexpectedly less than three weeks after she turned twenty-one. As I grappled with grief, loss and the roller-coaster of post-graduation life, I began writing to her. In the years after, this series has brought comfort as I remember Keren's legacy and imprint on my life. More recently, it has provided a way to take me back to a time before disillusionment caused me to stop dreaming, and to keep pursuing a life well-lived.

Dear Keren,

I recently found out that we get Al Jazeera on free-view. Needless to say, this political junkie has been spending a bit of time on that channel.

Last night, I caught a few documentaries and talk-shows one after another about the situations in Nigeria, Eritrea and Libya. Halfway through about the third documentary about Eritrean refugees, I suddenly realised how emotionally unaffected I was, and it startled me.

Perhaps a part of it is that so much has happened since the days of our idealistic we-can-save-the-world college selves that I'm no longer as vulnerable as I used to be. Perhaps it's those few weeks in the cafe with the women on the streets of Berlin that made me feel like a wimp for being so emotional. Or perhaps it's that everyday on the news, there are more reports of violence and disasters that my helplessness has slowly become callousness.

Keren, I wish you were here to shake me up and remind me of that idealistic self that I used to be. Remember when we used to dream about saving the world? Remember that feeling when you discovered your avenue to use your passion to save the world through Displace Me? I want to remember what that idealistic buzz feels like again. Keren, what happened?

Maybe it's that we were young and naive. Even after I eventually climbed out from under that mountain of grief after you died, I still had that desire to change the world--and to do it twice as well to make up for the good the world was missing because you were no longer around. And now, seven years after graduation and your passing, I sit in this comfortable home, even if not a place to call my own, wondering what our twenty-one-year-old selves would think about where I am today.

On days when depression hits its lowest point, I'm convinced we would be ashamed. I haven't fought or won a worthy cause. I haven't started a revolution. I haven't nurtured change in anyone's lives. I haven't joined the UN, helped a homeless person get off the streets, or even protected a child from the consequences of their parents' choices. I have no material possessions to boast of, and heck, seven years have passed and I still haven't found the guts to go experience homelessness like I wanted to. On those days, I want to hide in bed all day and pretend I live in an alternate universe where the last seven years didn't feel so worthless. On those days, I wish you were here to shake me up and remind me that there still are things worth being passionate about, the same way you had been one of the few who didn't think I was crazy or try to talk me out of wanting to experience homelessness.

But then there are better days when I remember that even if I'm no revolutionary like Katniss Everdeen or Beatrice Prior, I still have a place in this world to do all the good I can and more importantly, to love with all that I can. Buried somewhere under all that disillusionment is that idealistic twenty-one-year-old self that still believes she can change the world even if she cannot physically rescue all the girls in Nigeria, find all the victims of MH370, or spark change overnight in Eritrea, Libya, Berlin or even a neighbourhood in Auckland. On these better days, I cling on to that idealism in the hopes that it will teach me to keep breathing when the difficult days come back.

And then I remember that even when I was most idealistic, it wasn't the desire to revolutionise the world that kept me going. No, it was simply the desire to be where simply being who God created me to be would bring a smile to someone's face. And I realise that our twenty-one-year-old selves would probably still be ok with all that has happened in the last seven years, even if, on this end of the seven years, there aren't significant accolades to boast about.

And suddenly, I regain that excitement again. Suddenly in spite of how beaten down I feel, that buzz returns. Suddenly in spite of how I feel like I'd bitten off more than I can chew with The Bridge, I feel it in my bones again. Suddenly I remember that even if it's not my role to spark a revolution, I have a role to play, to journey with the idealisms of the university students as they discover their buzz and to stand with them when they decide they want to experience homelessness, or move to Christchurch, or help with food distribution and disaster relief in the Philippines.

Because I'm no longer that twenty-one-year-old self. My buzz no longer comes from the idealism of starting a revolution, but from being there when today's twenty-one-year-olds discover their buzz and celebrating with them who God created them to be.

Dear Keren, I still wish you were here to experience all this with me so you can sit me down in a way only you know how and help me process all that has happened. But it's ok now that you're not. I've gotten quite used to it now.

Dear Keren... Hey, I miss you. Someday, when we meet again we can go splash in the puddles and dance in the rain, then pile the pillows on the balcony, sip tea and talk about everything that has happened. But for now, I have things to do.

Until next time.

Arohanui,
Me

05 May 2014

Aotearoa Diaries: Day #1 on Te Atatu Peninsula

Most stories begin with "Once upon a time," but I'm not convinced that there is a point in time when stories begin.

Like for instance, I struggle with writing the beginning of my Aotearoa story.

Did it begin the day I arrived here? Because I remember that day...

It was 10 September 2011, the day after the opening ceremonies of the rugby world cup that Aotearoa was hosting. I had booked my flight less than a week before I flew (that's another story for another time), so it looked suspicious to the immigration officer. Add that to the fact that under occupation I had listed "religious worker" (that's when I learnt "pastor" goes down a lot better with immigration)...

It was a great welcome to Aotearoa, even with the extended immigration process I had to go through because of how suspicious my papers looked. Having gone through immigration in a few other places (that shall remain unnamed *ahem*), I was prepared to be interrogated like a criminal until I could prove myself innocent. Instead, the immigration officer apologised that he had to ask additional questions only because it was part of the process.

Talk about culture shock. I was starting to fall in love with Aotearoa.

On the other side of immigration, Chad Davenport, Doug, Danette and Allison Beisley, and Steve Ringelspaugh were there with leis in hand to welcome my arrival. They would quickly grow to become family in the months to come.

But my most vivid memory was of my arrival at Stefan and Kathrin Marks' home. I had never met them in person, and had only had a very brief conversation with Kathrin via Skype for my interview (through which the only thing I established was that 1) she hated me, then 2) wait, she's German, so she's just very direct, then 3) she's just doing her job in the interview). But they welcomed me into their home and almost immediately became big brother and sister to me.

I remember going out for a walk later that day where Stefan introduced me to all the various birds and greenery we spotted along the boardwalk close to their place. You know how they say every country has a distinct smell? I don't know if it's true for everyone, but Aotearoa's lush greenery has definitely become its distinct smell for me.

Not too far down that boardwalk, I caught a view of the city skyline and the body of water that separated us. It took my breath away in that even though I was still finding it hard to believe I had made it to Aotearoa, I was home.

We rounded up that evening having a meal together with the Beisleys and Felicity. Now, this is why I have a problem with knowing where my Aotearoa story truly begins, because it all started with the Beisleys back in 2008. But that's another story for another time...

Aotearoa Diaries: An Introduction

I don't by any means consider myself a great writer, but I believe there is something sacred and precious about stories.

When I was last in Singapore a little over a month ago, I had the opportunity to invite the good people of the congregation I grew up in into the story I've been creating on this little corner south of the equator called the Land of the Long White Cloud, Aotearoa New Zealand. One of the "aunties" who watched me grow up in that church said to me afterwards, "It's so nice to hear about what you're doing in New Zealand. I guess we all knew you were there, but we didn't really know what you were doing."

Which made me re-evaluate what I had been doing with storytelling. My excuse for the lack of stories had been that my first two years in Aotearoa had been "dark and twisted" (to borrow the words of Meredith Grey). The reality was more that I had given my storyboard away to everyone else to fill while I sat in the corner and sulked like I was completely helpless. And perhaps the longer I dwelt in that corner, the more helpless I felt even though the easier thing would have been to reclaim my storyboard and fill it with my own stories.

So this new series, Aotearoa Diaries, is intended to be just that: the reclamation of my storyboard, and the invitation into the story I'm creating here in the Land of the Long White Cloud. I'm not sure where these stories will go, or how much of the last two years I will write about, but I need to write these stories again. If not for anyone else, but for myself, to believe again in the sacredness and preciousness of story.